Pokémon turns 30 — how the fictional pocket monsters shaped science

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ВсеГосэкономикаБизнесРынкиКапиталСоциальная сфераАвтоНедвижимостьГородская средаКлимат и экологияДеловой климат

There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.

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《烈愛對決》

tee() splits a stream into two branches. It seems straightforward, but the implementation requires buffering: if one branch is read faster than the other, the data must be held somewhere until the slower branch catches up.